Striptease

Tease, tease, tease, STRIP… And then? Over the last few months my burlesque focus has shifted toward movement and on-stage imagery. I’ve become preoccupied with thinking about how I link my movements together on stage; how I can present near-static moments with elegance and power; how to add grace to elements that teeter dangerously on the edge of ‘stripper repertoire’. In seeking to develop these aspects of my own performance, I’ve been paying close attention to the performances of others, analysising their successes and weaknesses.